Saturday, February 04, 2012

"Marche D Acqua" Fabriano Watercolours 2012

 "Taking the Strain 2", watercolour on Fabriano, 77 x 56.5cm


I finally finished the painting which will be included in the up coming exhibition entitled International Prize "Marche DAcqua" Fabriano Watercolour 2012. Only 34 artists are selected world wide to take part in this Exhibition which will be shown in the Museo della Carta e della Filigrana (paper and Watermark Museum of Fabriano). The Exhibition will then travel to South Korea, Spain, Portugal, USA, etc. I am fairly pleased with the results as its the first time I've used the paper and I managed to complete it in 2 weeks which is pretty quick for me. I just hope the Organising committee enjoy it as much!

Saturday, January 21, 2012

Saatchi Magazine



 The Saatchi Gallery Magazine, issue 16, Page 7,Winter 2011. Winsor and Newton have continued to use my work in their advertisment under the heading "Experiment with Tradition". An apt title as I do spend a lot of time exploring the limits of what is possible with Watercolour, but still like to remain "true" to the spirit of Realism. The painting "Chain Reaction" will be on show in M Gallery, Charleston, South Carolina in April 2012, and depicts an old door which I stumbled across in Havana, Cuba. I think the advert is superb, very elegant. Thanks for the support.

Saturday, December 10, 2011

A Real Coup!

Incredible! The new adverts for Winsor and Newton include the Art of the Real collective. Look out for adverts during 2012 which will focus on each artist involved in the project. This is a Real coup!

Wednesday, December 07, 2011

ART OF THE REAL: Art of the Real Tour dates 2012

Undelivered- watercolour on collage- 2011

ART OF THE REAL: Art of the Real Tour dates 2012: Please see the back cover of our Exhibition catalogue for the Art of the Real world tour 2012. Looks like a very busy year ahead. We hope you...

Thursday, October 13, 2011

New video


Here is a recent video of my painting- 'Painted door of Marsaxlokk, Watercolour on Arches watercolour paper. If nothing else it shows how I hop around the picture plane working up the painting at the same time.

Saturday, September 24, 2011

Gallery Q- Mirror Image

For those of you who reside further afield than Dundee, here's a snapshot of the show. I think it hangs together very well and it will be the last solo show for some time, as I embark on The "Art of The Real" tour.
If you cant make it, enjoy!

Sunday, September 11, 2011

Gallery Q- Mirror Image

Mirror Image



Secrets in the shadows; watercolour; 50 x 42.5cm


 Gallery Q- 17th September-15th October 2011

Although a mirror is supposed to reflect truth, it also changes that which we look at. Similarly an artist who reflects on the world around him must also change and interpret his version of truth.

I value time and the way it affects everything. It reveals character within all that it touches. The worn beauty which is slowly coaxed out of peeling paint, rotten wood, rusted implements or wind torn rock appeals to me. I want to record them, but I also want to do so with emotion. I want to say something about my subject matter and as such embellish, change, modify, emphasise and sublimate in order to get my message across.

It is my interpretation of the subject and therefore like the mirror I may reflect upon that subject but at the same time I’m compelled to change it.

Cuba
This exhibition draws upon my experiences from a resource laden trip to Cuba. The neglect brought about by Political isolation creates an endless supply of superb source material for me. Havana is a living city, one which has not been cared for due to a lack of resources and finances. Never the less, she shows all the signs an aging beauty. Growing and expanding, but dowdy and still immensely proud, I found Havana foreboding at times but also friendly. Full of contradictions and packed full of source material, I found I was slightly overwhelmed at first, but once you start drawing, your focus returns and the important stuff comes into view.

Doors, gates, walls, pillars, signs and the interaction of Havana’s residents with the city became my focal point. Building on my past experiences from other trips I draw, draw, paint, photograph take notes and draw again, constructing a bank of knowledge which sustains me in the studio until my next expedition.

I will be back.